From Goodreads.com
"Abandoning her worldly life, traveling to a remote Wisconsin town in the dead of winter, trusting her future to a man she had never met - such was Catherine Land's new beginning. But there was an ending in sight as well, an ending that would redeem the treachery ahead, justify the sacrifice, and allow her to start over yet again. That was her plan." "For Ralph Truitt, the wealthy businessman who had advertised for "a reliable wife," this was also to be a new beginning. Years of solitude, denial, and remorse would be erased, and Catherine Land, whoever she might be, would be the vessel of his desires, the keeper of his secrets, the means to recover what was lost. That was his plan." Set just after the turn of the twentieth century, A Reliable Wife is the story of these two people, each plagued by a heart filled with anger and guilt, each with a destiny in mind. But neither anticipates what develops between them - the pent-up longings that Catherine discovers in this enigmatic man and the depth of her own emotional response; the joy Ralph experiences in giving Catherine the luxuries she has never known, his growing need for her, and a desire that he thought was long buried."
Discussion Questions (source):
1. The novel’s setting and strong sense of place seem to echo its mood and themes. What role does the wintry Wisconsin landscape play? And the very different, opulent setting of St. Louis?
2. Ralph and Catherine’s story frequently pauses to give brief, often horrific glimpses into the lives of others. Ralph remarks on the violence that surrounds them in Wisconsin, saying, “They hate their lives. They start to hate each other. They lose their minds, wanting things they can’t have” (page 205). How do these vignettes of madness and violence contribute to the novel’s themes?
3. Catherine imagines herself as an actress playing a series of roles, the one of Ralph’s wife being the starring role of a lifetime. Where in the novel might you see a glimpse of the real Catherine Land? Do you feel that you ever get to know this woman, or is she always hidden behind a facade?
4. The encounter between Catherine and her sister, Alice, is one of the pivotal moments of the novel. How do you view these two women after reading the story of their origins? Why do the two sisters wind up on such different paths? Why does Catherine ultimately lose hope in Alice’s redemption?
5. The idea of escape runs throughout the novel. Ralph thinks, “Some things you escape . . . You don’t escape the things, mostly bad, that just happen to you” (pages 5–6). What circumstances trap characters permanently? How do characters attempt to escape their circumstances? When, if ever, do they succeed? How does the bird imagery that runs through the book relate to the idea of imprisonment and escape?
6. “You can live with hopelessness for only so long before you are, in fact, hopeless,” reflects Ralph (page 8). Which characters here are truly hopeless? Alice? Antonio? Ralph himself? Do you see any glimmers of hope in the story?
7. Why, in your opinion, does Ralph allow himself to be gradually poisoned, even after he’s aware of what’s happening to him? What does this decision say about his character?
8. Why does Catherine become obsessed with nurturing and reviving the “secret garden” of Ralph’s mansion? What insights does this preoccupation reveal about Catherine’s character?
9. Does Catherine live up in any way to the advertisement Ralph places in the newspaper (page 20)? Why or why not?
10. Did you have sympathy for any of the characters? Did this change as time went on?
11. At the onset of A Reliable Wife the characters are not good people. They have done bad things and have lived thoughtlessly. In the end how do they find hope?
12. The author directly or indirectly references several classic novels—by the Brontë sisters, Daphne du Maurier, and Frances Hodgson Burnett, among others. How does A Reliable Wife play with the conventions of these classic Gothic novels? Does the book seem more shocking or provocative as a result?
Next meeting on March 14th!
